SPACE, COLLISIONS Available for Print Pre-Order!

The print version of Space, Collisions is now available for pre-order! If you like brief stories, then this is the collection for you. The micro-chapbook will be 6″ x 9″ with saddle stitch binding. 

Advanced praise:

“Three perfectly paced and elegantly written stories that leave the reader breathless and pensive at once.” —Meredith Allison, author of Blood & Whiskey

“L. N. Holmes has a talented pen and a great imagination. . . .” —Renwick Berchild, Nothing In Particular Book Review

Synopsis:

Space, Collisions is a micro-chapbook containing three brief stories. In “When Continents Collide,” a man waits on the shores of the Outer Banks for the collision of the North American and African continents. “Trace” focuses on the intimate secrets shared between one pining woman and her self-destructing lover. In “Spacefall,” two scientists take a break from work to drive to the countryside and bask in their friendship. Each installment in this short collection offers motifs of physical distance and intimate connection. Overall, the stories emphasize the common longing to overcome the space that divides.

Print options:

The micro-chapbook will be on sale September 19, 2018 with pre-orders available now. *Personalized messages are an option. A single copy of the micro-chapbook is **$3.99.

Individuals, booksellers, general retailers, and other interested parties may submit orders to LeeAnn Adams (leeann [dot] n [dot] holmes [at] gmail [dot] com). Please include in your email the quantity of micro-chapbooks desired, any preferred ***printing and shipping methods, shipping address, PayPal address, and any personalization requests. Invoices will be processed through PayPal. Wholesale discounts are available through IngramSpark Distributors (ISBN: 9780692165065).

Ebook options:

Digital micro-chapbooks are still available through Ghost City Press.

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The Genre Debate and Why it (Does)n’t Matter

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Copyright L. N. Holmes (LeeAnn Adams)

Many have heard of the genre versus literary fiction debate. It’s old news — not even news. So why should we still be interested in it?

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